This excellent recording of rare operatic works from Antonio Vivaldi is an important addition to all music lovers of the Baroque era. Best apps to download on macbook. The distinctive com-positional style of Antonio Vivaldi's vocal works are eloquently performed by Bartoli whose command of the genre is beyond reproach. The spectacular mezzo-soprano Cecilia Bartoli is joined by the ensemble Il Giardino Armonico in a program of baroque music from composer Antonio Vivaldi, 'The Red Priest'. Best movie free download app. Check out Cecilia Bartoli - The Vivaldi Album by Cecilia Bartoli & Arnold Schoenberg Chor & Il Giardino Armonico & Giovanni Antonini on Amazon Music. Cecilia Bartoli presents a brand new solo album: ‘Antonio Vivaldi’. In 1999, Cecilia Bartoli unveiled her iconic ‘Vivaldi Album’. ‘The Vivaldi Album’ went gold in 6 countries and sold over 700,000 copies. Microsoft office word 2007 download. Almost 20 years later, Cecilia Bartoli returns to opera arias by the Baroque master.

Cecilia Bartoli Antonio VivaldiCeciliaMission
  1. Argippo, opera, RV 697 (mostly lost): Se lento ancora il fulmine

    1. Se lento ancora il fulmine
  2. Orlando furioso de G. A. Ristori, opera in 3 acts (arranged by Vivaldi), RV Anh. 84: Sol da te, mio dolce amore

    1. Sol da te, mio dolce amore
  3. Orlando furioso de G. A. Ristori, opera in 3 acts (arranged by Vivaldi), RV Anh. 84: Ah fuggi rapido

    1. Ah fuggi rapido
  4. Giustino, opera in 3 acts, RV 717: Vedrò con mio diletto

    1. Vedrò con mio diletto
  5. La Silvia, opera in 3 acts (dramma pastorale, only 9 arias known to survive), RV 734: Quell'augellin che canta

    1. Quell'augellin che canta
  6. Ottone in Villa, opera in 3 acts, RV 729: Leggi almeno tiranna infedele

    1. Leggi almeno tiranna infedele
  7. La verità in cimento, opera in 3 acts, RV 739: Solo quella guancia

    1. Solo quella guancia
  8. Andromeda Liberata, serenata (opera; attributed): Sovente il sole

    1. Sovente il sole
  9. Tito Manlio (I), opera in 3 acts, RV 738: Combatta un gentil cor

    1. Combatta un gentil cor
  10. Catone in Utica, opera in 3 acts, RV 705 (only acts 2 & 3 extant): Se mai senti spirarti sul volto

    1. Se mai senti spirarti sul volto

Cecilia Bartoli Mission

Overview This is Cecilia Bartoli's second collection of Vivaldi arias; the first appeared in 1999 under the title The Vivaldi Album, and Bartoli continues to record for the same label, Decca, with a.

Cecilia Bartoli Antonio Vivaldi Biography

Bartoli was born in Rome on June 4, 1966. Her parents were both professional singers, and she made her stage debut at nine as a shepherd boy in Puccini's Tosca. Bartoli attended the Santa Cecilia Conservatory in Rome, studying trombone and flirting with a career as a flamenco dancer; her only long-term voice teacher had been her mother. She made her Zurich Opera House debut in 1989 as Cherubino in Mozart's Le nozze di Figaro, under conductor Nikolaus Harnoncourt, a frequent collaborator. Her star rose rapidly in the early 1990s; her debut in New York, where she remains extraordinarily popular, came at a 1990 Mostly Mozart Festival concert. In 1992, she would return to that festival for three sold-out shows. Charismatic, musically intelligent, and vocally agile (singing both mezzo-soprano and soprano roles), she made her debut on the coveted stage at Milan, Italy's La Scala in 1991. Bartoli has called herself a child of the 18th century and has been able to combine vocally spectacular Baroque roles, several times in Vivaldi's comparatively underexposed operas, with limpid Mozart melodies, and bel canto through much of her career. Bartoli's Metropolitan Opera debut came in 1996 as Despina in Mozart's Così fan tutte, returning in 1997 in the lead role in Rossini's La Cenerentola, and once again in 1998 as Susanna in Le nozze di Figaro. In the mid-2000s, she devoted herself mostly to Baroque opera, appearing as Cleopatra in Handel's Giulio Cesare, and then to bel canto toward the end of the decade issuing the album Maria, which investigated the career of famed soprano Maria Malibran. The pace of Bartoli's stage appearances and recordings slowed somewhat in the 2010s, but remained vigorous. Bartoli became the artistic director of the Salzburg Whitsun Festival in 2012; her appearances there as Cleopatra in Handel's Giulio Cesare (2012), and in the title roles of Bellini's Norma (2013) and La Cenerentola (2014), as well as her programming decisions, resulted in record ticket sales for the formerly academically oriented festival.